Suspension Bridge at night BY ANN COLE
£100.00
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Original pastel painting of St Cyr’s Church, Stonehouse; by Christine Derrick
‘Towering Spires II’, Pen & watercolour on card 4 x 6 in. Double mounted under glass in light coloured hardwood frame.
An abstract watercolour monochrome on postcard based on Gloucester Cathedral.
Passing storm over the Bird Observatory Portland, Dorset, oil on board image size: 20 x 24 in. (Formally Lower lighthouse, Portland has 3 lighthouses, Higher, Lower and The Bill lighthouse).
Framed under glass with Ivory mount with natural finish 2 1/4″ hardwood frame 26″ x 32″
View of Monkton Park from Maiden Castle nr Dorchester. Watercolour on 200 lb Saunders Waterford, 1/2 Imperial, (15″ x 22″) mounted on Bottle green mount. Framed in natural Hardwood frame under glass 61 x 86 cm.
How did this happen? Maybe it has a purpose or perhaps it just happened gradually. Don’t get too close. Acrylic on Canvas, 46 x 62cm. Acrylic on canvas. Deep edge – no frame.
Does this image remind you of a conversation? Interaction is essential whatever you are and there’s a long history to unravel here. Acrylic on Canvas, 50 x 60cm. No frame.
Balls, cliffs and hopes. How did this get here? A future on the edge… Acrylic on Canvas, 50 x 60cm. unframed.
Spring at Foords Corner, acrylic on card, image size: 18 x 25 in. Framed under glass in dark green stained hardwood frame. Frame size 61 x 83 cm.
Urban Spring landscape inspired by clear blue skies sunshine and daffodils in bloom in my locale (Foords Corner Wyke Regis, Weymouth) painted in the Impressionist style.
Wimborne Minster across the Fields in winter – , oil on mdf panel, image size: 30.5 x 25 cm. Framed in natural wood tray frame
Soft pastel painting of a typical London scene in autumn: fog in the distance and boats on the Thames, all framed in autumnal leaves.
The painting comes in a white mount and a blue-grey frame which matches the dominant hues of the scene; it measures 40cm x 50cm, frame included.
This original art work, by Michael Brobson has been painted with acrylic paint on a canvas covered board. The picture (400 x 500) has a wood frame and is ready to hang.
The picture depicts the ruins of St Bennet’s Abbey situated in the flat, windswept open country of Norfolk (UK).
65 x 65 cm
Watercolour painting.
Framed with dramatic frame with gild slip around mount and “Clear Vue” glass.
Botallack Tin Mine One of a set of three landscapes featuring Cornish tin mines in various states of dereliction across the county – capturing the poignancy of a lost industry set against the uplifting brightness of the landscape and sea Medium: Oil on canvas Size: 200x280mm within 280x355mm white mount Unframed
Wheal Owles Tin Mine One of a set of three landscapes featuring Cornish tin mines in various states of dereliction across the county – capturing the poignancy of a lost industry set against the uplifting brightness of the landscape and sea Medium: Oil on canvas Size: 200x280mm within 280x355mm white mount Unframed
Unity by Malcolm Crocker Everything is linked and working together. Flying high over a city, or a machine, or maybe a computer all set in close association with a strange landscape. Acrylic on Canvas 60 x 70 x 2cm No frame
Border by Malcolm Crocker Acrylic on Canvas 50 x 50 x 4cm No frame. looking down at an abstract pattern or is it a map or plan? A pattern interrupted by a wall or barrier. Is the world different on either side. Maybe a shared beginning interrupted by change or conflict. Patterns which change but…
Santorini Abstracted Greek scene based on incredible Oia with it square white houses perched on the cliff edge overlooking the Aegean Sea. 40x40cm oil painting on deep edge canvas, sides painted white, ready to hang.
Santorini Experience Inspirational abstracted view of dramatic Oia , white houses, blue church roofs, clinging to the cliffs above the Aegean Sea. 50×50 cms, oil painting on deep edge canvas, white painted edges, ready to hang
Lockdown gave me the time to value the joy in solitude – time away from the busy and distracting world. Created as part of ‘Delving Beneath Series’ – a body of work started during March 2020 lockdown, which has helped me make sense of the shifts going on around the world and reflect on what is meaningful in life.
Exploring the process of adding and subtracting until a balance is found. Using various methods of layering and piecing together fragments through mixed media and then scraping, sanding and peeling off – metaphorically delving deeper to discover what lies beneath and our hidden strengths. I have also tapped into my love for the unique textures that occur in nature, on weathered walls, old billboards and rusting metal – the scars of time.
Framed size 44.5 x 44.5cm
Image size 30.5 x 30.5cm
Acrylic and mixed media on wood panel.
Ready to hang in an off-white frame.
This is a favourite and familiar view from a high terrace across to the opposite headland on the Greek island of Hydra. As I was painting it I felt I was following different paths, rediscovering the landscape. Set against a brilliant sea, the Spring foliage and strong tonal contrast emphasise the strength of the light. There is a puzzling arrangement of walls and enclosed spaces and an odd scale to the buildings, small down by the sea, large as you climb the hill.
71cm x 71 cm
Artist: JILL MIRZA Title: ‘Blue Beach Huts’ Medium: Acrylic on Canvas Date: 2013 Size: 20 cm x 20 cm Frame: 25 cm x 25 cm
This is one of a series of small paintings where I have made the decision to make relatively simple gestures and compositions. Beach huts have a haphazard charm and are usually painted in bright simple colours. In the case of this image the contrasts of dark and light and the geometric shapes make the image striking and decorative.
Soft pastel painting of the beautiful Victorian Clevedon Pier in Somerset; it is set against a dark sky with heavy snow falling.
The painting comes in a white mount and white box frame and measures 45cm x 35cm.