Showing 33–64 of 166 results
View of Monkton Park from Maiden Castle nr Dorchester. Watercolour on 200 lb Saunders Waterford, 1/2 Imperial, (15″ x 22″) mounted on Bottle green mount. Framed in natural Hardwood frame under glass 61 x 86 cm.
CATHEDRAL £80 unmounted and unframed.
Watercolour by Pip Wilson 19 x 39 cms
This is in a realistic abstract style that I’m a bit hooked on currently painted with predominently one of Daniel Smith’s gorgeous colours.
Inspired by the view of Wells Cathedral from the Bishops Palace garden with foliage and the lake in the foreground that runs off into channels down the High St.
The price is unmounted and unframed although it’s in a broad natural wood recycled frame here for personal callers for £140
How did this happen? Maybe it has a purpose or perhaps it just happened gradually. Don’t get too close. Acrylic on Canvas, 46 x 62cm. Acrylic on canvas. Deep edge – no frame.
Does this image remind you of a conversation? Interaction is essential whatever you are and there’s a long history to unravel here. Acrylic on Canvas, 50 x 60cm. No frame.
Balls, cliffs and hopes. How did this get here? A future on the edge… Acrylic on Canvas, 50 x 60cm. unframed.
Spring at Foords Corner, acrylic on card, image size: 18 x 25 in. Framed under glass in dark green stained hardwood frame. Frame size 61 x 83 cm.
Urban Spring landscape inspired by clear blue skies sunshine and daffodils in bloom in my locale (Foords Corner Wyke Regis, Weymouth) painted in the Impressionist style.
Wimborne Minster across the Fields in winter – , oil on mdf panel, image size: 30.5 x 25 cm. Framed in natural wood tray frame
Soft pastel painting of a typical London scene in autumn: fog in the distance and boats on the Thames, all framed in autumnal leaves.
The painting comes in a white mount and a blue-grey frame which matches the dominant hues of the scene; it measures 40cm x 50cm, frame included.
This original art work, by Michael Brobson has been painted with acrylic paint on a canvas covered board. The picture (400 x 500) has a wood frame and is ready to hang.
The picture depicts the ruins of St Bennet’s Abbey situated in the flat, windswept open country of Norfolk (UK).
65 x 65 cm
Watercolour painting.
Framed with dramatic frame with gild slip around mount and “Clear Vue” glass.
Botallack Tin Mine One of a set of three landscapes featuring Cornish tin mines in various states of dereliction across the county – capturing the poignancy of a lost industry set against the uplifting brightness of the landscape and sea Medium: Oil on canvas Size: 200x280mm within 280x355mm white mount Unframed
Wheal Owles Tin Mine One of a set of three landscapes featuring Cornish tin mines in various states of dereliction across the county – capturing the poignancy of a lost industry set against the uplifting brightness of the landscape and sea Medium: Oil on canvas Size: 200x280mm within 280x355mm white mount Unframed
Unity by Malcolm Crocker Everything is linked and working together. Flying high over a city, or a machine, or maybe a computer all set in close association with a strange landscape. Acrylic on Canvas 60 x 70 x 2cm No frame
Border by Malcolm Crocker Acrylic on Canvas 50 x 50 x 4cm No frame. looking down at an abstract pattern or is it a map or plan? A pattern interrupted by a wall or barrier. Is the world different on either side. Maybe a shared beginning interrupted by change or conflict. Patterns which change but…
Santorini Abstracted Greek scene based on incredible Oia with it square white houses perched on the cliff edge overlooking the Aegean Sea. 40x40cm oil painting on deep edge canvas, sides painted white, ready to hang.
Santorini Experience Inspirational abstracted view of dramatic Oia , white houses, blue church roofs, clinging to the cliffs above the Aegean Sea. 50×50 cms, oil painting on deep edge canvas, white painted edges, ready to hang
VAL WEBBERLEY Size 30 x 41cm (mounted and framed) Signed by the Artist
An acrylic painting inspired by a holiday before lockdown. The natural light on the water really reflected the colours of the surrounding buildings, this I found very exciting. Fortunately I had photographs of this which I used as a starting point.
Fauvist style water front acrylic painting, inspired by a trip to Devon. A3 size. I wanted to keep some elements more recognisable and abstract others.
Lockdown gave me the time to value the joy in solitude – time away from the busy and distracting world. Created as part of ‘Delving Beneath Series’ – a body of work started during March 2020 lockdown, which has helped me make sense of the shifts going on around the world and reflect on what is meaningful in life.
Exploring the process of adding and subtracting until a balance is found. Using various methods of layering and piecing together fragments through mixed media and then scraping, sanding and peeling off – metaphorically delving deeper to discover what lies beneath and our hidden strengths. I have also tapped into my love for the unique textures that occur in nature, on weathered walls, old billboards and rusting metal – the scars of time.
Framed size 44.5 x 44.5cm
Image size 30.5 x 30.5cm
Acrylic and mixed media on wood panel.
Ready to hang in an off-white frame.
This is a favourite and familiar view from a high terrace across to the opposite headland on the Greek island of Hydra. As I was painting it I felt I was following different paths, rediscovering the landscape. Set against a brilliant sea, the Spring foliage and strong tonal contrast emphasise the strength of the light. There is a puzzling arrangement of walls and enclosed spaces and an odd scale to the buildings, small down by the sea, large as you climb the hill.
71cm x 71 cm
Artist: JILL MIRZA Title: ‘Blue Beach Huts’ Medium: Acrylic on Canvas Date: 2013 Size: 20 cm x 20 cm Frame: 25 cm x 25 cm
This is one of a series of small paintings where I have made the decision to make relatively simple gestures and compositions. Beach huts have a haphazard charm and are usually painted in bright simple colours. In the case of this image the contrasts of dark and light and the geometric shapes make the image striking and decorative.
Having lived in France for a good deal of my life l have enjoyed sitting both inside an out in cafes like this one .Like many of us l have enjoyed a glass of cool wine on a hot Summer day in places just like this too.l love the special feeling you get sitting…
Soft pastel painting of the beautiful Victorian Clevedon Pier in Somerset; it is set against a dark sky with heavy snow falling.
The painting comes in a white mount and white box frame and measures 45cm x 35cm.
Inspired by the view looking under the pavilion, playing with the architectural features and water reflections
Oil on board
54 x 72 cm image, 61 x 79 cm inc frame Framed
Prizewinner at Ilminster Open Exhibition 2019
The narrow view of buildings seen through curtains, focusing on their verticality
Watercolour
27 x42 cm image, 46 x 60 cm inc frame Mounted and framed
One of a series of ‘glimpse’ paintings based on the narrow views seen mainly in an architectural context
