The Tivertonian Narrowboat by Lyn Chapman
£100.00The Tivertonian is an original acrylic painting by Lyn Chapman
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The Tivertonian is an original acrylic painting by Lyn Chapman
A traditionally painted oil on linen canvas, framed and ready to hang. Under the light of a full moon a sailing ship is being towed into the Upper Pool of London. The Upper Pool is the length of the River Thames between London Bridge and Tower Bridge. 16 x 16 inches canvas size Framed size…
Spring at Killerton, an original acrylic painting, 51 cm x 41cm x 1 cm deep.
Walking my pups along this beach in the rain inspired this stunning painting. I loved the contrast of colours in the cliff face, reflecting the light of the day and still holding up against the tide.
“A Walk in Seaton”
40x50cm oil on canvas
Comes with a signed certificate of authenticity
Ready to hang
While out in South Africa, I was helping to locate two cheetah brothers on the reserve. It had been a long trek looking for them, they were radiotagged and we used what looked like an old fashioned tv antennae to search for them, following the faint beeps through the bush.
Eventually we found them, the two brothers taking shelter beneath a large tree, while we watched, one of them slowly raised its long powerful body up through the grass, prowling slowly, as if it had spotted something. This moment I captured for this piece, a moment I hope I never forget. Such a beautiful creature.
30x40cm
Oil on canvas
It was a misty morning on the moors when I saw this coo! Grazing with its herd, this coo lifted its head, almost in greeting, this moment has been translated into a painting to share its beauty.
40x50cm
Acrylic on canvas
Original
Inspired by a moody walk across the sands, Bedruthan Steps was painted to reflect the watery reflections in the sand. With bold marks scratched in with a pallete knife, this painting has a lot of impact, drawing your eye in over the sands to the tactile looking rocks in the midground.
A2 sized
Oil on canvas
Ready to hang (unframed)
A bridge over the Great Western Canal near Tiverton. Â I found these ducks fascinating, Â swimming into the sun from under overhanging trees.
Through the trees is inspired by a forest walk on holiday in Cornwall. Following the path through the trees, evening draws close, the shadows are long, stretching across the mossey floor, golden light pours through the canopy above, beckoning us onward.
50x50cm oil on canvas
An original painting in acrylics by a local artist. 18×14 inches this inmaginary scene is based on walks on exmoor. Autumn leaves in romantic light. No framed on artist canvas. This would look good on a bedroom wall.
The colours of cliffs in the winter light inspired this work from Cape Cornwall. Annie takes her inspiration from the works of J.M.W. Turner and more recent work by Joan Eardley. Increasingly Annie is taking risks with her paintings and developing a more dynamic style akin to David Tress.
A collection of wildflowers from the hedgerow and fields around her studio on the Somerset-Devon border inspired this little oil painting. Cornflowers, buttercups and wild grasses are simply arranged in a jam jar from Annie’s studio.
This oil painting of Gammon Head, South Devon, was made after a walk along the south-west coast path after crossing the estuary by ferry from Salcombe. The gathering clouds towards the end of the day and the resultant effect on the water add to this atmospheric painting.
In the “Blackdowns Aglow” Annie captures the richness of colour found in the landscape on a summer’s day. The pink grasses and pale green fields are illuminated by sunlight and contrast with the deep shadows from trees in the field. The Blackdown Hills are an undiscovered jewel of the Somerset landscape and provide inspiration for many of Annie’s artworks.
Exmoor Colour captures the drama of Exmoor’s landscape and skies. This view across the moor towards Wimbleball Reservoir and the hills beyond explores the boundaries between the wild moorland and the farmed landscape in the distance. Painted mostly using palette knives and rags, Annie is able to create the textures of the wild grasses and brackens.
This painting is one of a small series of works inspired by the ancient woodland of the Blackdown Hills. There are six works in total and this painting and “Evening Glow” are the last two remaining, available paintings in this series.
This painting is one of a small series of works inspired by the ancient woodland of the Blackdown Hills. There are six works in total and this painting and “Days End” are the last remaining, available paintings in the series.
The Distant Fields is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in this series are Blown on the Moor, Marks in the Landscape, Peat Paths Wind Their Way, Autumnal Tones and Evening Glow Through the Trees
Marks in the Landscape is part of a series of oil paintings inspired by walks on and around Exmoor. Other paintings in the series are Peat Paths Wind Their Way, Autumnal Tones, Evening Glow Through the Trees, The Distant Fields and Blown on the Moor.
Peat Paths Wind Their Way is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in the series are Blown on the Moor, Autumnal Tones, Evening Glow Through the Trees, The Distant Fields and Marks in the Landscape.
Autumnal Tones is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in the series are Peat Paths Wind Their Way, Blown on the Moor, Evening Glow Through the Trees, The Distant Fields and Marks in the Landscape.
Blown on the Moor is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in the series are Peat Paths Wind Their Way, Autumnal Tones, Evening Glow Through the Trees, The Distant Fields and Marks in the Landscape.
Evening Glow Through the Trees is part of a series of paintings of Exmoor. Other works in this series are available. They are: Peat Paths Wind Their Way, Blown on the Moor, Autumnal Tones, The Distant Fields and Marks in the Landscape.
Patricia Davies Dimensions 20×20 inches (50x50cm) Oil on Deep Profile Canvas Signed by Artist
Oil and cold wax painting on archival paper on board. Framed within a natural wood shadow gap frame.
Overall size 58 cm x 78 cm
Inspired bylarged racing yachts.
Oil and cold wax painting by Geoff Sellick Inspired by the South Devon coast and landscape beyond. Professionally Framed within large white painted box frame. Painting size 50 x 50 cm Frame 75 x 75 cm
Oil and cold wax painting on archival paper on board. Framed within a natural wood shadow gap frame. Overall size 58cm x 78cm. Inspired by large racing yachts