Showing 1–32 of 661 resultsSorted by latest
Walking my pups along this beach in the rain inspired this stunning painting. I loved the contrast of colours in the cliff face, reflecting the light of the day and still holding up against the tide.
“A Walk in Seaton”
40x50cm oil on canvas
Comes with a signed certificate of authenticity
Ready to hang
A bridge over the Great Western Canal near Tiverton. Â I found these ducks fascinating, Â swimming into the sun from under overhanging trees.
Through the trees is inspired by a forest walk on holiday in Cornwall. Following the path through the trees, evening draws close, the shadows are long, stretching across the mossey floor, golden light pours through the canopy above, beckoning us onward.
50x50cm oil on canvas
An original painting in acrylics by a local artist. 18×14 inches this inmaginary scene is based on walks on exmoor. Autumn leaves in romantic light. No framed on artist canvas. This would look good on a bedroom wall.
The colours of cliffs in the winter light inspired this work from Cape Cornwall. Annie takes her inspiration from the works of J.M.W. Turner and more recent work by Joan Eardley. Increasingly Annie is taking risks with her paintings and developing a more dynamic style akin to David Tress.
In the “Blackdowns Aglow” Annie captures the richness of colour found in the landscape on a summer’s day. The pink grasses and pale green fields are illuminated by sunlight and contrast with the deep shadows from trees in the field. The Blackdown Hills are an undiscovered jewel of the Somerset landscape and provide inspiration for many of Annie’s artworks.
Exmoor Colour captures the drama of Exmoor’s landscape and skies. This view across the moor towards Wimbleball Reservoir and the hills beyond explores the boundaries between the wild moorland and the farmed landscape in the distance. Painted mostly using palette knives and rags, Annie is able to create the textures of the wild grasses and brackens.
This painting is one of a small series of works inspired by the ancient woodland of the Blackdown Hills. There are six works in total and this painting and “Evening Glow” are the last two remaining, available paintings in this series.
This painting is one of a small series of works inspired by the ancient woodland of the Blackdown Hills. There are six works in total and this painting and “Days End” are the last remaining, available paintings in the series.
The Distant Fields is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in this series are Blown on the Moor, Marks in the Landscape, Peat Paths Wind Their Way, Autumnal Tones and Evening Glow Through the Trees
Marks in the Landscape is part of a series of oil paintings inspired by walks on and around Exmoor. Other paintings in the series are Peat Paths Wind Their Way, Autumnal Tones, Evening Glow Through the Trees, The Distant Fields and Blown on the Moor.
Peat Paths Wind Their Way is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in the series are Blown on the Moor, Autumnal Tones, Evening Glow Through the Trees, The Distant Fields and Marks in the Landscape.
Autumnal Tones is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in the series are Peat Paths Wind Their Way, Blown on the Moor, Evening Glow Through the Trees, The Distant Fields and Marks in the Landscape.
Blown on the Moor is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in the series are Peat Paths Wind Their Way, Autumnal Tones, Evening Glow Through the Trees, The Distant Fields and Marks in the Landscape.
Evening Glow Through the Trees is part of a series of paintings of Exmoor. Other works in this series are available. They are: Peat Paths Wind Their Way, Blown on the Moor, Autumnal Tones, The Distant Fields and Marks in the Landscape.
Oil and cold wax painting by Geoff Sellick Inspired by the South Devon coast and landscape beyond. Professionally Framed within large white painted box frame. Painting size 50 x 50 cm Frame 75 x 75 cm
Triptych oil and cold wax painting on archival paper on board, professionally framed within deep white painted box frame. Inspired by Dartmoor landscape in Autumn Overall framed size 125 x 45 cm
Dancing Leaves of Golden Hue, oil on canvas. 120 x 100 x 4 cm. Ready to hang.
Oil painting of century old gnarled trees up in the Quantock Hills near Triscombe, Somerset.
The painting comes in a discreetly gilded wooden frame and measures 60cm x 50cm.
A view over patchwork fields and rolling hills towards Exmoor in the far distance,
The painting measures 46 x 33 cm and is framed in white, ready to hang, with external dimensions of 50 x 37 cm.
Before the Winter Sets in, Oil on Canvas framed in a tray frame (framed size 62.5 x 62.5 x 3 cm)
Winter light series, Frozen lakes VI (Hints of Blue & Grey), mixed media on paper.mixed media on w/c paper. Unframed but mounted with dark Blue mount to fit std 14″ x 18″ Frame (wrapped in Cellophane).                                     Mixed media painting, Oil pastel, soluble graphite watercolour & artist ink pen; from photograph taken on a freezing cold late December afternoon, the lakes frozen solid, with the sun trying desperately to penetrate the freezing fog.
Winter light series, Frozen lakes V (Ducks Swimming) mixed media on paper.mixed media on w/c paper. Unframed but mounted with dark Blue mount to fit std 14″ x 18″ Frame (wrapped in Cellophane).                                             Mixed media painting, Oil pastel, soluble graphite watercolour & artist ink pen; from photograph taken on a freezing cold late December afternoon, the lakes frozen solid, with the sun trying desperately to penetrate the freezing fog.
Original acrylic-gouache painting of St Mary’s church, Redcliffe Bristol, on paper.
Original acrylic-gouache painting of Bristol suspension bridge view, by Christine Derrick
Winter light series, ,Frozen lakes IV (Hints of Violet) mixed media on w/c paper. Unframed but mounted with dark Blue mount to fit std 14″ x 18″ Frame (wrapped in Cellophane).                                                               Mixed media painting, Oil pastel, soluble graphite watercolour & artist ink pen; from photograph taken on a freezing cold late December afternoon, the lakes frozen solid, with the sun trying desperately to penetrate the freezing fog.