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This oil painting of Gammon Head, South Devon, was made after a walk along the south-west coast path after crossing the estuary by ferry from Salcombe. The gathering clouds towards the end of the day and the resultant effect on the water add to this atmospheric painting.
In the “Blackdowns Aglow” Annie captures the richness of colour found in the landscape on a summer’s day. The pink grasses and pale green fields are illuminated by sunlight and contrast with the deep shadows from trees in the field. The Blackdown Hills are an undiscovered jewel of the Somerset landscape and provide inspiration for many of Annie’s artworks.
Exmoor Colour captures the drama of Exmoor’s landscape and skies. This view across the moor towards Wimbleball Reservoir and the hills beyond explores the boundaries between the wild moorland and the farmed landscape in the distance. Painted mostly using palette knives and rags, Annie is able to create the textures of the wild grasses and brackens.
This painting is one of a small series of works inspired by the ancient woodland of the Blackdown Hills. There are six works in total and this painting and “Evening Glow” are the last two remaining, available paintings in this series.
This painting is one of a small series of works inspired by the ancient woodland of the Blackdown Hills. There are six works in total and this painting and “Days End” are the last remaining, available paintings in the series.
The Distant Fields is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in this series are Blown on the Moor, Marks in the Landscape, Peat Paths Wind Their Way, Autumnal Tones and Evening Glow Through the Trees
Marks in the Landscape is part of a series of oil paintings inspired by walks on and around Exmoor. Other paintings in the series are Peat Paths Wind Their Way, Autumnal Tones, Evening Glow Through the Trees, The Distant Fields and Blown on the Moor.
Peat Paths Wind Their Way is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in the series are Blown on the Moor, Autumnal Tones, Evening Glow Through the Trees, The Distant Fields and Marks in the Landscape.
Autumnal Tones is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in the series are Peat Paths Wind Their Way, Blown on the Moor, Evening Glow Through the Trees, The Distant Fields and Marks in the Landscape.
Blown on the Moor is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in the series are Peat Paths Wind Their Way, Autumnal Tones, Evening Glow Through the Trees, The Distant Fields and Marks in the Landscape.
Evening Glow Through the Trees is part of a series of paintings of Exmoor. Other works in this series are available. They are: Peat Paths Wind Their Way, Blown on the Moor, Autumnal Tones, The Distant Fields and Marks in the Landscape.
Triptych oil and cold wax painting on archival paper on board, professionally framed within deep white painted box frame. Inspired by Dartmoor landscape in Autumn Overall framed size 125 x 45 cm
Oil painting of century old gnarled trees up in the Quantock Hills near Triscombe, Somerset.
The painting comes in a discreetly gilded wooden frame and measures 60cm x 50cm.
An atmospheric representation of a wild wood, realised in collage and inks.
The painting measures 19 cm square, under glass in a slim black frame measuring 26.3 cm square.
New work inspired by
New work inspired by  the sharp relief, dramatic textures and shapes of seed pods and leaves from a recent trip to Australia.
In collaging my paintings I have been able to find new relationships with colours and textures giving more form to my images.
Cross Pollinations are a series of work that embrace the disciplines of sewing, printing, collage and painting . The images are a composite of ideas inspired by microbiology and flora. The work is playful and light, often sketchbook thoughts which explore the relationships of shapes and colours against the texture of the materials.
Cross Pollinations are a series of work that embrace the disciplines of sewing, printing, collage and painting . The images are a composite of ideas inspired by microbiology and flora. The work is playful and light, often sketchbook thoughts which explore the relationships of shapes and colours against the texture of the materials.
Cross Pollinations are a series of work that embrace the disciplines of sewing, printing, collage and painting . The images are a composite of ideas inspired by microbiology and flora. The work is playful and light, often sketchbook thoughts which explore the relationships of shapes and colours against the texture of the materials.
Cross Pollinations are a series of work that embrace the disciplines of sewing, printing, collage and painting . The images are a composite of ideas inspired by microbiology and flora. The work is playful and light, often sketchbook thoughts which explore the relationships of shapes and colours against the texture of the materials.
Cross Pollinations are a series of work that embrace the disciplines of sewing, printing, collage and painting . The images are a composite of ideas inspired by microbiology and flora. The work is playful and light, often sketchbook thoughts which explore the relationships of shapes and colours against the texture of the materials.
Winter light series, Frozen lakes VI (Hints of Blue & Grey), mixed media on paper.mixed media on w/c paper. Unframed but mounted with dark Blue mount to fit std 14″ x 18″ Frame (wrapped in Cellophane).                                     Mixed media painting, Oil pastel, soluble graphite watercolour & artist ink pen; from photograph taken on a freezing cold late December afternoon, the lakes frozen solid, with the sun trying desperately to penetrate the freezing fog.
Winter light series, Frozen lakes V (Ducks Swimming) mixed media on paper.mixed media on w/c paper. Unframed but mounted with dark Blue mount to fit std 14″ x 18″ Frame (wrapped in Cellophane).                                             Mixed media painting, Oil pastel, soluble graphite watercolour & artist ink pen; from photograph taken on a freezing cold late December afternoon, the lakes frozen solid, with the sun trying desperately to penetrate the freezing fog.
Winter light series, ,Frozen lakes IV (Hints of Violet) mixed media on w/c paper. Unframed but mounted with dark Blue mount to fit std 14″ x 18″ Frame (wrapped in Cellophane).                                                               Mixed media painting, Oil pastel, soluble graphite watercolour & artist ink pen; from photograph taken on a freezing cold late December afternoon, the lakes frozen solid, with the sun trying desperately to penetrate the freezing fog.
Winter light series, Frozen lakes II (A Rosy Glow), mixed media on w/c paper. Unframed but mounted with dark Blue mount to fit std 14″ x 18″ Frame (wrapped in Cellophane).                                                                 Mixed media painting, Oil pastel, soluble graphite watercolour & artist ink pen; from photograph taken on a freezing cold late December afternoon, the lakes frozen solid, with the sun trying desperately to penetrate the freezing fog.
Winter light series: Frozen lakes 1 (Shades of Blue) mixed media on w/c paper. Unframed but mounted with dark Blue mount to fit std 14″ x 18″ Frame (wrapped in Cellophane).                                                             Mixed media painting, Oil pastel, soluble graphite watercolour & artist ink pen; from photograph taken on a freezing cold late December afternoon, the lakes frozen solid, with the sun trying desperately to penetrate the freezing fog.
Acrylic painting of a sunset over winter fields with rests of snow and, in the distance, crows whirling in the sky.
The painting comes in a white mount and bespoke dark brown/black wooden frame. it measures 32cm x 33cm.
Soft pastel painting of a serene sunset over a river with trees on the horizon. The painting comes in a green mount and white frame and measures 26cm x 26cm.
Looking towards Lodmoor RSPB nature reserve from Lorton Meadows (a rural landscape), Weymouth Dorset, acrylic on canvas, 16 x 16 in. Unframed but strung ready to hang. Painted entirely with a knife.