SAILING INTO THE SUNSET
£850.00An original traditional marine painting, on linen canvas 16 x 16 inches framed in a bespoke frame. Ready to hang. Exterior frame size 21.25 x 21.25 inches (54 x 54 cm). ÂŁ850 inc. UK mainland delivery
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An original traditional marine painting, on linen canvas 16 x 16 inches framed in a bespoke frame. Ready to hang. Exterior frame size 21.25 x 21.25 inches (54 x 54 cm). ÂŁ850 inc. UK mainland delivery
Moorland Reflections, oil and mixed media framed. 83 x 43 x 3 cm
Light Reflected, oil on canvas, framed in a wood tray frame. 63 x 63 x 3 cm
Cornish Surf, Oil on canvas, framed in a light wood tray frame. 52 x 52 x 3 cm. Ready to hang.
Original oils on canvas by Martin J Leighton
Image size: 40 x 30cm (16″w x 12″h)
Framed overall size: 50 x 40cm (19.5″w x 16″h)
Beautiful woman by the sea & rocks
Original oils on canvas by Martin J Leighton
Image size: 60 x 50cm  NO FRAME
Mute Swan swimming along a river
Original oils on canvas by Martin J Leighton
Image size:Â 50 x 40cm
Framed overall size:Â 70 x 60cm
Woman on Beach
Warmth and Happiness, oil on canvas, ready to hang. 50 x 50 x 4 cm
The colours of cliffs in the winter light inspired this work from Cape Cornwall. Annie takes her inspiration from the works of J.M.W. Turner and more recent work by Joan Eardley. Increasingly Annie is taking risks with her paintings and developing a more dynamic style akin to David Tress.
A collection of wildflowers from the hedgerow and fields around her studio on the Somerset-Devon border inspired this little oil painting. Cornflowers, buttercups and wild grasses are simply arranged in a jam jar from Annie’s studio.
This oil painting of Gammon Head, South Devon, was made after a walk along the south-west coast path after crossing the estuary by ferry from Salcombe. The gathering clouds towards the end of the day and the resultant effect on the water add to this atmospheric painting.
In the “Blackdowns Aglow” Annie captures the richness of colour found in the landscape on a summer’s day. The pink grasses and pale green fields are illuminated by sunlight and contrast with the deep shadows from trees in the field. The Blackdown Hills are an undiscovered jewel of the Somerset landscape and provide inspiration for many of Annie’s artworks.
Exmoor Colour captures the drama of Exmoor’s landscape and skies. This view across the moor towards Wimbleball Reservoir and the hills beyond explores the boundaries between the wild moorland and the farmed landscape in the distance. Painted mostly using palette knives and rags, Annie is able to create the textures of the wild grasses and brackens.
This painting is one of a small series of works inspired by the ancient woodland of the Blackdown Hills. There are six works in total and this painting and “Evening Glow” are the last two remaining, available paintings in this series.
This painting is one of a small series of works inspired by the ancient woodland of the Blackdown Hills. There are six works in total and this painting and “Days End” are the last remaining, available paintings in the series.
The Distant Fields is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in this series are Blown on the Moor, Marks in the Landscape, Peat Paths Wind Their Way, Autumnal Tones and Evening Glow Through the Trees
Marks in the Landscape is part of a series of oil paintings inspired by walks on and around Exmoor. Other paintings in the series are Peat Paths Wind Their Way, Autumnal Tones, Evening Glow Through the Trees, The Distant Fields and Blown on the Moor.
Peat Paths Wind Their Way is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in the series are Blown on the Moor, Autumnal Tones, Evening Glow Through the Trees, The Distant Fields and Marks in the Landscape.
Autumnal Tones is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in the series are Peat Paths Wind Their Way, Blown on the Moor, Evening Glow Through the Trees, The Distant Fields and Marks in the Landscape.
Blown on the Moor is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in the series are Peat Paths Wind Their Way, Autumnal Tones, Evening Glow Through the Trees, The Distant Fields and Marks in the Landscape.
Evening Glow Through the Trees is part of a series of paintings of Exmoor. Other works in this series are available. They are: Peat Paths Wind Their Way, Blown on the Moor, Autumnal Tones, The Distant Fields and Marks in the Landscape.
Oil and cold wax painting on archival paper on board. Framed within a natural wood shadow gap frame. Overall size 58cm x 78cm. Inspired by large racing yachts
Oil painting of century old gnarled trees up in the Quantock Hills near Triscombe, Somerset.
The painting comes in a discreetly gilded wooden frame and measures 60cm x 50cm.
Original oils on canvas painting depicting a young woman waiting at a bar for someone to join her. Image size:Â 40 x 50cm Framed overall size: 60 x 70cm Signed by artist & professionally framed Woman at a bar
Seascape oil painting on Arches oil-paper 37 x 29cm, featuring cumulus clouds on the south-west coast.
Autumn Squash, oil on stretched canvas, 16″ x 16″.A flavour of Autumn colours. Painted from a still life set-up in my studio over several days. Unframed but strung ready to hang.
Summer – West Bay Harbour, Bridport Dorset, oil on stretched canvas 16 x 20 in. Painted in the studio from sketches and photo’s whilst sitting on the Harbour on a hot summers day in June. Unframed but strung ready to hang, can be framed at extra cost on request.
Framed painting (after David Cox), oil on canvas framed with antique style ornate moulded frame. A Homage to David Cox, one of my favourite English landscape painters of the same period as Constable and Turner, who painted in an Impressionistic style.
David Cox (29 April 1783 – 7 June 1859) English landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of Impressionism. He is considered one of the greatest English landscape painters, and a major figure of the Golden age of English watercolour, who turned to oils in later life.