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Turnstone, oil on 27.7 cm dia. hardboard panel. Commonly found along the foreshore and tidal pools of the Fleet lagoon and Portland Harbour on the Chesil Bank causeway between Weymouth and Portland Dorset UK. Supported on a square subframe ready to hang. One of a series of wildlife studies from the Jurassic Coast of Dorset.
Oyster catcher, oil on 27.7 cm dia. hardboard panel.One of a series of wildlife studies from the Jurassic Coast of Dorset. Fishing for shellfish on the foreshore. One of a series of wildlife studies from the Jurassic Coast of Dorset.
The Raven, oil on 27.7 cm dia. hardboard panel. Raven on seaweed strewn foreshore at low tide below Sandsfoot Castle Portland Harbour Dorset. Mounted on wooden subframe with hanging D-Ring. One of a series of wildlife studies from the Jurassic Coast of Dorset.
French Street Scene oil on canvas 16 x 12in.(after S.J.Peplow 1871-1935) Scottish Colourist and Post Impressionist. Painted in oils alla prima at a recent workshop in the Scottish colourist style using only 4 colours. Unframed but strung ready to hang 16″ x 12″.
Common Wall Lizard, oil on 27.7 cm dia. hardboard panel. Commonly seen seeking the warmth of the sun on exposed walls at St. Andrews Ruins Church Ope, Portland Dorset. One of a series of wildlife studies from the Jurassic Coast of Dorset.
Bowleaze Cove, near Weymouth Dorset, wintery beach scene on cold December day, oil on hand made Linen board, 12 x 16 in set in textured linen and wood effect frame.
Atmospheric painting of Sailing boats on blustery day at moorings in Portland Harbour, with Chesil bank in the distance, acrylic on board, image size: 14 x 24 cm set in 25 x 35 cm frame.
Three iconic Views of Portland Bill triptych,(from left to right: Sandholes Crane, Red Crane & Pulpit Rock(, oil on three 4.5 in sq panels mounted under glass in 30mm deep set frame 19 x 60cm.
Tranquil working industrial dockland scene of Tall Ships moored at Gloucester Docks, Technical Pen & Watercolour on 1/2 imperial 200 lb Saunders Waterford paper. Unframed but mounted to fit std shop bought 20″ x 16″ picture frame.
At rest RIP- (Rust in Peace), oil on paper, image size 21 x 30 cm. An old car rusting away in an old barn. Unframed but mounted to fit std 12″ x 16″ shop bought picture frame.
Oil painting of a stormy sea at dusk with, in the distance, a ship riding the waves.
The painting comes with a mount in a vintage cream coloured frame and measures 48cm 58cm.
Storm blowing over Red Crane (from Top of the Bill Lighthouse), alla prima oils wet in wet, Knife painting on canvas 40 x 40 cm. Unframed but strung ready to hang. Painted from an original photo taken from the top of the Lighthouse on a stormy day. Portland Bill Dorset.
Soft pastel still life of a few cooking ingredients, all in soft brown and white tones.
The painting measures 35cm x 27cm, a vintage ‘shabby chic’ creme coloured frame included.
Flower study in Blue, alla prima mixed media on card, 41 x 29 cm. Mounted with Stone coloured mount to fit standard 16″ x 20″ photo Frame.
Peter Goodhall A small oil on canvas, framed in a beautiful traditional frame, featuring a quiet moment on the Grand Canal, Venice in a time before the busy water traffic of today. Canvas size: 15 x 21 cm Framed size: 28 x 33.5 cm (11 x 13.5 inches) £425 (including UK mainland shipping)
The colours of cliffs in the winter light inspired this work from Cape Cornwall. Annie takes her inspiration from the works of J.M.W. Turner and more recent work by Joan Eardley. Increasingly Annie is taking risks with her paintings and developing a more dynamic style akin to David Tress.
A collection of wildflowers from the hedgerow and fields around her studio on the Somerset-Devon border inspired this little oil painting. Cornflowers, buttercups and wild grasses are simply arranged in a jam jar from Annie’s studio.
This oil painting of Gammon Head, South Devon, was made after a walk along the south-west coast path after crossing the estuary by ferry from Salcombe. The gathering clouds towards the end of the day and the resultant effect on the water add to this atmospheric painting.
In the “Blackdowns Aglow” Annie captures the richness of colour found in the landscape on a summer’s day. The pink grasses and pale green fields are illuminated by sunlight and contrast with the deep shadows from trees in the field. The Blackdown Hills are an undiscovered jewel of the Somerset landscape and provide inspiration for many of Annie’s artworks.
Exmoor Colour captures the drama of Exmoor’s landscape and skies. This view across the moor towards Wimbleball Reservoir and the hills beyond explores the boundaries between the wild moorland and the farmed landscape in the distance. Painted mostly using palette knives and rags, Annie is able to create the textures of the wild grasses and brackens.
This painting is one of a small series of works inspired by the ancient woodland of the Blackdown Hills. There are six works in total and this painting and “Evening Glow” are the last two remaining, available paintings in this series.
This painting is one of a small series of works inspired by the ancient woodland of the Blackdown Hills. There are six works in total and this painting and “Days End” are the last remaining, available paintings in the series.
The Distant Fields is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in this series are Blown on the Moor, Marks in the Landscape, Peat Paths Wind Their Way, Autumnal Tones and Evening Glow Through the Trees
Marks in the Landscape is part of a series of oil paintings inspired by walks on and around Exmoor. Other paintings in the series are Peat Paths Wind Their Way, Autumnal Tones, Evening Glow Through the Trees, The Distant Fields and Blown on the Moor.
Peat Paths Wind Their Way is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in the series are Blown on the Moor, Autumnal Tones, Evening Glow Through the Trees, The Distant Fields and Marks in the Landscape.
Autumnal Tones is part of a series of oil paintings inspired by walks on Exmoor. Other paintings in the series are Peat Paths Wind Their Way, Blown on the Moor, Evening Glow Through the Trees, The Distant Fields and Marks in the Landscape.
