Weymouth Old Town Hall
£165.00Weymouth Old Town Hall, mixed media on stretched canvas 70 x 50 cm. Unframed but strung ready to hang.
Subtotal: £130.00
Charles T Maher BA (hons)
My work can be losely described as atmospheric, developing my work in response to nature whilst striving to portray the effects of the particular light and conditions of the area, directed by combining aesthetic influences of Late Romanticism, Impressionism & Neo-Romanticism with abstract qualities of surrealism, lyrical poeticism and speculative realism; capturing just the essence of atmospheric light and topographical forms. I am particularly concerned with the specific historical aspects of ancient ruins, local folklore, myths and legends whilst investigating the concept of seclusion, abandonment and regression. Taking the viewer on a visual journey through secret and secluded places past and present; sensual perception is particularly important aspect as it elicits direct emotions triggering pre-conceptual and physical modes of perception enabling the viewer to have a more immediate and intense experience.
Contact details;
Tel: 01305 839761
Mob: 07967706746
email: charlesmaher9@gmail.com
Showing all 24 results
Weymouth Old Town Hall, mixed media on stretched canvas 70 x 50 cm. Unframed but strung ready to hang.
Colourful painting: The Rendezvous, oil on stretched canvas 24 x 30 in. Unframed but mounted ready to hang.
Spring at Foords Corner, acrylic on card, image size: 18 x 25 in. Framed under glass in dark green stained hardwood frame. Frame size 61 x 83 cm.
Urban Spring landscape inspired by clear blue skies sunshine and daffodils in bloom in my locale (Foords Corner Wyke Regis, Weymouth) painted in the Impressionist style.
HIgher & Lower Lighthouses, acrylic on board, 27 x 43 cm, mounted in white limed natural hardwood frame.
Framed size 32 x 48 cm
On the Rock Face, acrylic on canvas board, 61 x 51cm, mounted in natural hardwood frame.
Lamlash & Letchlade, acrylic on canvas 12″ x 16″ mounted in 2″ wide white limed natural hardwood frame
RMAS support boats Lamlash & Letchlade being refurbished at Custom House Quay Weymouth Old Harbour.
Action figurative painting of people fishing off Portland Bill, two men fishing of the cliff whilst other men are raising the boat using the old ‘Red Crane’ previously used by quarrymen for lowering stone onto waiting barges.
‘Autumn Moorings’ oil on canvas, 16 x 20 x 1.5 in. An Autumn scene of boats at moorings Christchurch Quays nr. Bournemouth.
Seascape From the Underbarn, after the storm, Beached #2, oil on card, 12.5 x 12.5 cm. Set and Mounted in white painted hardwood frame.
The Little Chapel at Fleet, oil on canvas 16 x 20 in, unframed,but strung ready to hang .                               Fleet is a little village on the South Dorset Coast path adjacent to Chesil beach.
‘Seascape off the Portland Bill ‘, oil on board, image size 11 x 21 cm, Framed 8″ x 11″
Unframed oil painting on stretched canvas 30 x 40 cm, strung ready to hang.
Unframed oil painting on stretched canvas 40 x 50 cm, strung ready to hang.
Unframed oil on stretched canvas 40 x 50 cm, strung and ready to hang.
Landscape: ‘Field gate South Dorset coast path towards Moonfleet’, oil on canvas 20 x 30 cm, unframed but strung ready to hang.
Oil on stretched canvas, 50 x 70 cm, Unframed but strung ready to hang.
‘Crusader’ oil on mdf panel, 26 x 72 cm set into hardwood tray frame.
Monochromatic oil painting on mdf panel 24 x 32 in set in white painted hardwood tray frame
Sandsfoot Castle
oil study on mdf panel 27 x 35 cm set into white limed hardwood tray frame.
En plein air Oil painting on canvas, 40 x 50 cm.
The Poet the Ruins and the Moonlight-
Oil on canvas board 16-x-22-in., mounted on sub-frame set into white painted hardwood tray frame.
Oil on canvas board 16 x 22 in. mounted on sub- frame inset into white painted hardwood tray frame.
‘Sandsfoot Vista – Low tide’
Hand painted signed by artist,
oil on mdf panel 24 x 32 in,
mounted in white painted hardwood tray frame