Towering Spires II,
£50.00‘Towering Spires II’, Pen & watercolour on card 4 x 6 in. Double mounted under glass in light coloured hardwood frame.
An abstract watercolour monochrome on postcard based on Gloucester Cathedral.
Charles T Maher BA (hons)
My work can be losely described as atmospheric, developing my work in response to nature whilst striving to portray the effects of the particular light and conditions of the area, directed by combining aesthetic influences of Late Romanticism, Impressionism & Neo-Romanticism with abstract qualities of surrealism, lyrical poeticism and speculative realism; capturing just the essence of atmospheric light and topographical forms. I am particularly concerned with the specific historical aspects of ancient ruins, local folklore, myths and legends whilst investigating the concept of seclusion, abandonment and regression. Taking the viewer on a visual journey through secret and secluded places past and present; sensual perception is particularly important aspect as it elicits direct emotions triggering pre-conceptual and physical modes of perception enabling the viewer to have a more immediate and intense experience.
Contact details;
Tel: 01305 839761
Mob: 07967706746
email: charlesmaher9@gmail.com
Showing all 18 results
‘Towering Spires II’, Pen & watercolour on card 4 x 6 in. Double mounted under glass in light coloured hardwood frame.
An abstract watercolour monochrome on postcard based on Gloucester Cathedral.
Passing storm over the Bird Observatory Portland, Dorset, oil on board image size: 20 x 24 in. (Formally Lower lighthouse, Portland has 3 lighthouses, Higher, Lower and The Bill lighthouse).
Framed under glass with Ivory mount with natural finish 2 1/4″ hardwood frame 26″ x 32″
View of Monkton Park from Maiden Castle nr Dorchester. Watercolour on 200 lb Saunders Waterford, 1/2 Imperial, (15″ x 22″) mounted on Bottle green mount. Framed in natural Hardwood frame under glass 61 x 86 cm.
Church of the Holy Trinity Fleet, mixed media on paper 38 x 27 mm. Framed under glass in white limed natural hardwood frame 14″ x 18″ with Pale Ivory mount.
‘The George Inn & St.Georges Reforne’, oil on paper, 24 x 32 cm. Framed. Mounted on Ivory mountcard in 12″ x 16″ light wood veneered composite frame.
The Little Chapel at Fleet, oil on canvas 16 x 20 in, unframed,but strung ready to hang .                               Fleet is a little village on the South Dorset Coast path adjacent to Chesil beach.
Unframed oil painting on stretched canvas 30 x 40 cm, strung ready to hang.
Unframed oil painting on stretched canvas 40 x 50 cm, strung ready to hang.
Unframed oil on stretched canvas 40 x 50 cm, strung and ready to hang.
‘Crusader’ oil on mdf panel, 26 x 72 cm set into hardwood tray frame.
Sandsfoot Castle
oil study on mdf panel 27 x 35 cm set into white limed hardwood tray frame.
En plein air Oil painting on canvas, 40 x 50 cm.
Sandsfoot in Winter
mixed media collage on hardboard panel 48 x 80 cm set in white painted hardwood tray frame.
The Poet the Ruins and the Moonlight-
Oil on canvas board 16-x-22-in., mounted on sub-frame set into white painted hardwood tray frame.
Oil on canvas board 16 x 22 in. mounted on sub- frame inset into white painted hardwood tray frame.
‘Sandsfoot Vista – Low tide’
Hand painted signed by artist,
oil on mdf panel 24 x 32 in,
mounted in white painted hardwood tray frame