Limoncello with lemons & Blue Bowl
£45.00Limoncello with lemons & Blue Bowl, Signed Limited edition A3 Giclée print (edition of 25). Supplied mounted with Beige/Ivory mount board to fit std 20″ x 16″ shop bought frame.
Charles T Maher BA (hons)
My work can be losely described as atmospheric, developing my work in response to nature whilst striving to portray the effects of the particular light and conditions of the area, directed by combining aesthetic influences of Late Romanticism, Impressionism & Neo-Romanticism with abstract qualities of surrealism, lyrical poeticism and speculative realism; capturing just the essence of atmospheric light and topographical forms. I am particularly concerned with the specific historical aspects of ancient ruins, local folklore, myths and legends whilst investigating the concept of seclusion, abandonment and regression. Taking the viewer on a visual journey through secret and secluded places past and present; sensual perception is particularly important aspect as it elicits direct emotions triggering pre-conceptual and physical modes of perception enabling the viewer to have a more immediate and intense experience.
Contact details;
Tel: 01305 839761
Mob: 07967706746
email: charlesmaher9@gmail.com
Showing 1–32 of 97 results
Limoncello with lemons & Blue Bowl, Signed Limited edition A3 Giclée print (edition of 25). Supplied mounted with Beige/Ivory mount board to fit std 20″ x 16″ shop bought frame.
Limoncello with Lemons and Blue Bowl, oil on stretched canvas 18 x 14 in. Unframed but strung ready to hang.           (Also available as Limited edition Fine art Giclée print run of 25)
Durdle Door (late afternoon), oil on stretched canvas, mounted in silver finished aluminium frame. Painted in the Impressionist style. Durdle Door is situated on the Jurassic coast on the Isle of Purbeck Dorset UK.
,oil on pre-used mdf 18 x 24in. (after Donald Mc Leith 1879-1950)
Loch-St.-Mary 2 -Scottish-Borders- Soft pastel-on-Fabriano-Tiziano-paper-30-x-42-cm. Double mounted to fit std 16″ x 20″ frame. St Mary’s Loch is the largest natural loch in the Scottish Borders, and is situated on the south side of the A708 road between Selkirk and Moffat, about 72 Km south of Edinburgh.
Loch-St.-Mary 1-Scottish-Borders-pastel-on-Fabriano-Tiziano-paper-30-x-42-cm. Double mounted to fit std 16″ x 20″ frame
St Mary’s Loch is the largest natural loch in the Scottish Borders, and is situated on the south side of the A708 road between Selkirk and Moffat, about 72 Km south of Edinburgh.
Sandholes Portland, oil on stretched canvas, 9 x 12 in. Unframed but strung ready to hang. Unframed but strung ready to hang. One of Portland’s many derrick cranes, seen by walking eastwards from the Bill along Portland’s southerly east coast.
Approaching a misty Portland Bill, oil on canvas 9 x 12 in. Unframed but strung ready to hang.
The Fleet Visitor Centre at Twilight, oil on canvas board, 12 x 16 in. Framed in composite wood effect frame. The Fleet visitor centre from the Chesil side of the bridge over the Fleet looking towards Portland harbour Weymouth Dorset as dusk approaches.
Poole Harbour RSPB Arne, acrylic on stretched canvas 12 x 16 in. Unframed but strung ready to hang.                  View of Poole harbour from RSPB Arne bird and nature reserve Dorset UK.
‘El Galleon’ visiting Weymouth Old harbour May 2023, acrylic on canvas board 18 x 14 in. Framed with 2″ wide white painted hardwood frame.
Curlew 2, mudflats RSPB Arne, gouache on card, image size 7 x 5in. Framed 8″ x 10″.
Curlew mudflats RSPB Arne, gouache on card, image size 7 x 5in. Framed 8″ x 10″.
Long Island Poole Harbour from RSPB Arne, acrylic on stretched canvas, 20 x 38 cm. Unframed but strung ready to hang.
Weymouth Old Town Hall, mixed media on stretched canvas 70 x 50 cm. Unframed but strung ready to hang.
Echinacea ( A flower study), acrylic on card, 28 x 20 cm. Framed and mounted under glass 14″ x 11″.
Spring on the Rodwell trail 2(looking south), acrylic on card, 18 x 13 cm. Framed and mounted under glass 10″ x 8″
Spring on the Rodwell trail 1(looking north), acrylic on card, 18 x 13 cm. Framed and mounted under glass 10″ x 8″
Colourful painting: The Rendezvous, oil on stretched canvas 24 x 30 in. Unframed but mounted ready to hang.
‘Towering Spires II’, Pen & watercolour on card 4 x 6 in. Double mounted under glass in light coloured hardwood frame.
An abstract watercolour monochrome on postcard based on Gloucester Cathedral.
Castle Cove, seen from across Portland Harbour, Weymouth Dorset, oil on canvas board, image size 26 x 38 cm. Unframed and unmounted.
Passing storm over the Bird Observatory Portland, Dorset, oil on board image size: 20 x 24 in. (Formally Lower lighthouse, Portland has 3 lighthouses, Higher, Lower and The Bill lighthouse).
Framed under glass with Ivory mount with natural finish 2 1/4″ hardwood frame 26″ x 32″
View of Monkton Park from Maiden Castle nr Dorchester. Watercolour on 200 lb Saunders Waterford, 1/2 Imperial, (15″ x 22″) mounted on Bottle green mount. Framed in natural Hardwood frame under glass 61 x 86 cm.
‘Sammy and Friends’, oil on mdf panel 20 x 30 cm set in natural hardwood tray frame. Painted from my own reference photo’s from The Fleet lagoon & Chesil Bank, nr Weymouth Dorset.
‘Connections’ mixed media on paper 82 x 58 cm. An abstract mixed media interpretation based on the Film “Brief Encounter”. Framed under glass in mid brown hardwood frame.
Spring at Foords Corner, acrylic on card, image size: 18 x 25 in. Framed under glass in dark green stained hardwood frame. Frame size 61 x 83 cm.
Urban Spring landscape inspired by clear blue skies sunshine and daffodils in bloom in my locale (Foords Corner Wyke Regis, Weymouth) painted in the Impressionist style.
Wimborne Minster across the Fields in winter – , oil on mdf panel, image size: 30.5 x 25 cm. Framed in natural wood tray frame
A Family group On Chesil Beach after a storm looking out to sea in the changing light. Oil on canvas 20″ x 16″ set in natural wood tray frame.
A bright sunny day at Portland Bill Dorset.
Portland Bill Lighthouse, oil on board set in 10 x 12 in light wood effect contemporary composite frame.
Road to the Monument, oil on hand stretched Linen, 22 x 30 in. Unframed but strung ready to hang.
Made up from multiple images from around west Dorset close to Hardy’s Monument Portesham.
Under the tree lined walk Radipole Park Drive, Weymouth Dorset, en plein air painting, oil on paper 32 x 24 cm.
Alpacas overlooking Portland, Martleaves farm Wyke Regis, Weymouth, Dorset, oil on paper, 19 x 26 cm. Unframed – mounted with Ivory mount to fit standard 12″ x 16″ photo frame.