Autumn Moorings BY CHARLES T MAHER
£135.00‘Autumn Moorings’ oil on canvas, 16 x 20 x 1.5 in. An Autumn scene of boats at moorings Christchurch Quays nr. Bournemouth.
Showing 1–32 of 51 results
‘Autumn Moorings’ oil on canvas, 16 x 20 x 1.5 in. An Autumn scene of boats at moorings Christchurch Quays nr. Bournemouth.
Oil on canvas board 16 x 22 in, mounted into White painted hardwood frame.
Original oils on canvas by Martin J Leighton
Image size:Â 40 x 50cm
Framed overall size:Â 54 x 64cm
Late arrival of holiday traveller
Original oils on canvas by Martin J Leighton
Size:Â 70cm x 97cm
Wet night in the City
Spring at Foords Corner, acrylic on card, image size: 18 x 25 in. Framed under glass in dark green stained hardwood frame. Frame size 61 x 83 cm.
Urban Spring landscape inspired by clear blue skies sunshine and daffodils in bloom in my locale (Foords Corner Wyke Regis, Weymouth) painted in the Impressionist style.
Wimborne Minster across the Fields in winter – , oil on mdf panel, image size: 30.5 x 25 cm. Framed in natural wood tray frame
A Family group On Chesil Beach after a storm looking out to sea in the changing light. Oil on canvas 20″ x 16″ set in natural wood tray frame.
A bright sunny day at Portland Bill Dorset.
Portland Bill Lighthouse, oil on board set in 10 x 12 in light wood effect contemporary composite frame.
The Fleet looking towards Pirates Cove’, nr Weymouth Dorset oil on paper 26 x 38 cm.
The Cherhill White Horse is a hill figure on Cherhill Down, 3.5 miles east of Calne in Wiltshire, England. Dating from the late 18th century, it is the third oldest of several such white horses in Great Britain, with only the Uffington White Horse and the Westbury White Horse being older. The figure is also sometimes called the Oldbury White Horse.
Summer Haze is a late summer’s eve landscape with the pink sky showing as the sun dips down the back. The fields are full of wildflowers.
This piece is based on the hills that is the home of the Westbury White Horse. As you drive by it is always a great place to spot the high flying gliders in the sky.
Fleeting-Moments-on-the-Chesil-North-Bank-IV,-acrylic-Neocolour-II-crayons-on-canvas-paper-laid-on-board 8 x 10 in. Unframed – mounted on pale ivory mount board 11″ x 14″ to fit standard ready made frame.
Snaking river -Low tide on the Fleet, acrylic on card, image size 26 x 37 cm. Unframed – Mounted on Pale Ivory mount to fit standard 16 x 20 in frame.
St Michael’s Mount Sunshine. Oil on Board, Framed. Painting size 30×42 cm. Frame size 47×59 cm. The beach at Marazion in the far west of Cornwall after high tide, looking towards St Michael’s Mount. (UK postage included)
Poly Joke Beach. Oil on Board, Framed. Painting size 15×21 cm. Frame size 32×38 cm. The beach at Poly Joke, north Cornwall. (UK postage included)
Spring Morning Showers Oil on Board, framed. Painting size 15×15 cm. Frame size 33×33 cm. This is a country lane near my house on The Lizard in Cornwall on a showery spring morning. (UK postage included)
‘Tidal pool Lower Fleet with Turnstones’, east of visitor centre Chesil Beach early January, acrylic & Neocolour II crayons on mountcard, 26 x 37 cm. Mounted on Pale Ivory mount board to fit standard 16″ x 20″ frame.
‘Lower Fleet East of Visitor centre’, oil on card, 26 x 37 cm. Mounted on Pale Ivory mount board to fit standard 16″ x 20″ frame.
‘Church Ope Cove’, Soft Pastel on Fabriano Tiziano paper 30 x 42 cm. Unframed mounted with white mount to fit std 16″ x 20″ frame.
Approaching the Bill – East coast, oil on paper, 26 x 38 cm.
Based on photographs taken on a walk around the Island of Portland late May 2020.
Framed and mounted under glass with Ivory mount board set in 16″ x 20″ 4 cm wide composite wood veneered frame.
HIgher & Lower Lighthouses, acrylic on board, 27 x 43 cm, mounted in white limed natural hardwood frame.
Framed size 32 x 48 cm
On the Rock Face, acrylic on canvas board, 61 x 51cm, mounted in natural hardwood frame.
Higher Lighthouse, oil on canvas board, 39 x 49.5cm, mounted in while limed natural hardwood frame.
‘Autumn Moorings’ oil on canvas, 16 x 20 x 1.5 in. An Autumn scene of boats at moorings Christchurch Quays nr. Bournemouth.
My mother always pointed out an exquisite sunset to me from a young age. Perhaps that is why I am always drawn to a Turneresque sky which still stops me in my tracks – tranquil and uplifting at the same time. In this painting I have explored the marshy water reflections in an abstract way. I hope this work will bring you joy as it did me whilst painting it.
Ready to hang in beautiful off-white, hand-painted frame.
Acrylic on Canvas Board
25″ x 25″ (including frame)
The Westbury or Bratton White Horse is a hill figure on the escarpment of Salisbury Plain, approximately 1.5 mi (2.4 km) east of Westbury in Wiltshire. Located on the edge of Bratton Downs and lying just below an Iron Age hill fort, it is the oldest of several white horses carved in Wiltshire.
Silbury Hill is a prehistoric artificial chalk mound near Avebury in the English county of Wiltshire. It is part of the Stonehenge, Avebury and Associated Sites UNESCO World Heritage Site. This landscape is based on the monument capturing the summers evening glow.
This painting started with mark making and spontaneously unfolded on the canvas, working in acrylic layers. It was painted as my style was evolving to more abstract. The dramatic sky and distant horizon allows the viewer to project their own interpretation onto the piece – I love the fact that different people see and find a personal meaning in the work.
Ready to hang in an off-white, hand-painted tray frame.
Acrylic on Canvas
15.5″ x 15.5″ (including frame)
Soft pastel painting of a typical Dartmoor landscape consisting of a country road cutting through the moor with two sheep grazing and a telephone pole, all under a dark cloudy sky.
The painting, framed in a blue-grey wooden frame matching the colours of the sky, is ready to hang and measures 46cm x 46cm